Performance as an everyday story

Abstract

Visuality in modern culture is defined as a form of representation of the world and reality, as a basic form of the existence of culture. The visual image informs, educates, entertains, emotionally satisfies a person, manipulates his behaviour and actions. In the modern world, a visual image is already a means of interacting with the viewer, rather than just its contemplation. There is a philosophical transition that stems from the commitment of those who claim to be engaged in philosophy in a performative way, the main characters of "Performance Philosophy". Internally, this transition is often characterized in the context of embodied experiences or affective meaning. Since the affective meaning of one thought depends on the specific diversity of individual emotions, strictly speaking, there is neither a single method nor a universal concept that allows us to "find out" how we could connect our thoughts with emotions in order to adequately formulate them in the rhizomatic network of individuals.