Newly scripted coining of new words in Adygea: start-up (AAR) and current (RA) trends

Abstract

An overview of the creative era of Adyghe writers of the Adyghe Autonomous Region of the Soviet period and the subsequent republican territory has been made. Due to the low level of knowledge of the art material under study, such an overview is relevant. The author traces the initial steps, the formation and the subsequent development of the prose texts of Adyghe authors. Thematically, the writers of Adygea at the beginning of the century mainly actualized the problematic of collision with the previous world order, and often gender. The turn to factual portrayal, and with it the chronicling of events, convincingly happened later. Already in the second half of the last century, it appeared in the artistic syllable of such Adyghe writers as Iskhak Mashbash, Dzhambulat Koshubaev, Nalbii Kuek, Yunus Chuyako and others. Postmodern inclusions of the 1990s. of the twentieth century in the modern literature were reflected in a more recent, closer to the new century, mythological poetics of Adygea. Ethnic coloring, themes, historicity, lyricism, address to the person - all these turns during the last and the beginning of the present centuries are analyzed with the conclusion about features of creative activity of Adygea writers. We believe that the literary material discussed in the article also allows us to speak about the specificity of the Adyghe ethnos as an independent, highly regulated (both socially and culturally) formation. The personal style of narration, generalization and tracing of the temperament of a not always understandable, sometimes mysterious character, etc., are noticeable in the fiction texts. All these and similar but highly unusual textual techniques for ethics served as proof of the creative progress of the analyzed authors.